The 6th Infecting The City Public Arts Festival 12-16 March 2013, Cape Town Like facebook for updates Image Map

>Death and the Maidens

Death and the Maidens
Tues 6th 6pm | Thurs 8th 6pm

Iziko SA Museum Amphitheatre

 

What drives women to madness, suicide and even murder? In this astonishing performance, Standard Bank Young Artist Award Winner Dada Masilo scrutinises the complex histories and motivations of tragic heroines from a female perspective.


With a company of women performers, including members of the Tshwane Dance Theatre, Masilo riffs Chilean writer Ariel Dorfman’s celebrated play Death and the Maiden. Taking as her starting point the poignant music of Franz Schubert, Masilo creates a fresh vocabulary of movement that fuses existing dance techniques to explore female anguish, desolation, oppression, marginalisation and, even, retaliation. Masilo’s “maidens” are not victims, and death is not necessarily masculine. In Death and the Maidens, Masilo continues an engagement with the heroines of literature and drama that began with her acclaimed solo work The Bitter End of Rosemary.


Performed by: Dada Masilo, with Kristin Wilson, Liyabuya Gongo, Laura Cameron, Ipeleng Merafe, Bafikile Sedibe and Nicholas Aphane
Lighting design by Suzette le Seur









Artist's Profile
Dada Masilo
Dada Masilo was awarded 2008 Standard Bank Young Artist for Dance. In addition to collaborations with other choreographers and artists, Masilo has created and performed ten original works, including her own versions of Romeo and Juliet, Carmen and Swan Lake. Internationally, she has staged her creations in Brest (France), Dusseldorf (Germany) and Tel Aviv (Israel).  One of her most recent collaborations was with internationally acclaimed South African artist William Kentridge, on Dancing with Dada, performed at the Market Theatre.




Public Arts Festival

6th - 10th March 2012

presented by The Africa Centre

Public art has always been part of who we are on this continent and in this country. The interconnectedness of the African “us” has often been impeded however, throwing people apart and far away from each other, creating a physical and psychic separation. Infecting the City is a small attempt at igniting this interconnectedness through artistic expression, making public space public.

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